Artists

Jamica Zion

Facilitator, Instructor

She/Her/Any

Based in Atlanta, Georgia, Jamica Zion takes pride in being a dynamic follow and rising lead. Jamica aims for range, not just in connection and style, but across genres too! They hold multiple titles in Blues and Lindy Hop contests from top US events including Lindy Focus, Camp Jitterbug, Beantown, and Camp Hollywood. When Jamica is not social dancing, teaching, or working on choreography, she is likely spending time with her dog, reading, playing video games, napping, or relaxing with loved ones. 

Jamica's approach towards sharing dance with others includes a critical understanding and appreciation of its history and culture, while simultaneously ushering students to build their own styles and meaningful connections to it. Jamica draws on their professional training from working with organizations like the Anti-Defamation League, and long educational background which includes nearly three degrees in Sociology. This unique blend of experiences, pedagogy, and knowledge allows Jamica to deliver inclusive and culturally responsible classes that are creative, fun, and original!


Christi Jay Wells

Panelist, Instructor

They/them, she/her

Christi Jay Wells is an associate professor of musicology in Arizona State University's School of Music, Dance and Theatre and a Race, Arts & Democracy Fellow with ASU’s Center for the Study of Race and Democracy. A Lindy Hop, authentic jazz, and blues dancer since 2003, they are also an interdisciplinary scholar in the fields of jazz history, popular music studies, dance studies, and arts & cultural policy. She received her PhD in 2014 from the University of North Carolina at Chapel Hill with a doctoral dissertation on drummer/bandleader Chick Webb. Her award-winning first book Between Beats: The Jazz Tradition and Black Vernacular Dance (Oxford University Press, 2021) explores jazz music, social & popular dance, race, power, and discourse from the nineteenth through the twenty-first century. They are currently working on their second book: a study of the Smithsonian Institution's substantial history of jazz programming and patronage. As a blues dancer, she has taught and lectured at events including BluesShout!, Sweet Molasses Blues, and Mile High Blues, and in 2019 she won Austin Blues Party’s Bring Your Own Partner division with her partner Brandy Smith.

Dee Daniels Locke

Panelist, Educator

Dee started Swing Dancing at the age of three with her Dad in the basement, wearing her Mom’s heels and her favorite plaid skirt. A true Heritage Dancer and Tradition Bearer, learning from and dancing Lindy Hop with her family, in the context of black culture, music, and expression. With a hiatus into hip-hop during her school years, she was called back to Lindy Hop, and co-founded her college swing dance club. She has became an influential member of the Minneapolis scene. For over two decades she’s shared her love of Lindy Hop with dancers young and old, teaching, performing, and dancing at swing dance events.

Dee loves feeling free on the dance floor and advocates for self-expression and individual creativity as the true spirit of Lindy Hop and Vernacular Jazz. She brings an inclusive, shared knowledge, and individual ownership perspective from black culture classes. She dances for the joy and self-worth in expression that music and dance play in black culture in either partnered or solo dancing, and searches for presence in each moment. She loves responding to the music and partner, priding herself on making each dance unique to the musical experience and partner, creating an authentic dance conversation. Her goal is to help dancers experience the inclusion, joy, and self-worth in expression that music and dance play in black culture by using teaching strategies that give access to the dance for different peoples and learners and creating a welcome and supportive environment.

She has recently enjoyed dancing a residency in Sw!ngout! at the Joyce Theater in NYC and on tour, and has taught, performed, and choreographed nationally and internationally, but mostly she wants to have a good dance. You should ask her, she follows and leads and wants to dance with you.

Marqua McGull

Panelist, Bop Instructor

Royce Martin

Musician, Panelist

He/Him

Royce Martin is a pianist and composer and recent graduate from the Berklee College of Music in Boston, Massachusetts. Born in St. Louis, Missouri, Royce taught himself the piano at the age of 14 on a small keyboard. He has a rich musical background and an affinity for a myriad of genres from classical to jazz to popular contemporary. Royce has a working knowledge of many musical traditions and their historical context and is able to compose and perform accordingly.

For several years, Royce worked as a pianist and lecturer, speaking to the long and storied history of ragtime and American music at the Scott Joplin State Historic Site in St. Louis where he received stellar reviews and attracted much local attention. Fall 2020 brought Royce national attention when he was tapped to score "The Fresh Prince of Bel-Air Reunion" show for HBO-MAX. While Royce has been a recipient of many nominations and awards, he remains humble with the understanding that he is but a novice to the masters who inspire him. Now he continues on his path of musicianship—always in pursuit of the sonic sweet spot where his artistic skills meet the kaleidoscope of his vision.

Christian Frommelt

Organizer, Facilitator

He/Him, They/Them

Hello, I’m Christian Frommelt (he/him/his), a swing dancer and musician from St. Louis, Missouri. As a teacher, organizer, and social dancer, I’ve dedicated much of my life to bringing people together through music and dance. The African-American vernacular dance values of spontaneity, rhythmic propulsion, and communal improvisation captivated me as a teenager, and I’ve been bent on learning jazz-based artforms ever since. It has become a privilege to also share the stories, sounds, and skills I’ve gained along the way as a teacher, writer, and performer. I’m proud to have been recognized with competitive accolades at the Ultimate Lindy Hop Showdown and the International Lindy Hop Championships, which include awards for choreography with Jenny Shirar. For nine years I served as co-organizer of the renowned Nevermore Jazz Ball & St. Louis Swing Dance Festival and continue to organize the Cherokee Street Jazz Crawl in the effort of collective expression. I’ve played piano for the Gaslight Squares jazz band since 2019.

Brandy Smith

Instructor, Presenter

Brandy Smith's dance journey began with swing, ballroom, and Latin styles, but it was in 2011 that she discovered her true love for the Blues. With effortless grace, she seamlessly intertwines her dance moves and DJ-ing skills, bringing soulful rhythms to life on dance floors all across the United States.

For Brandy, the blues community became more than just a dance scene; it became a place where she truly belonged. Blues dance serves as her canvas for self-expression, offering her a unique voice and a creative outlet. Brandy's artistic talents extend beyond the dance floor. Collaborating with her dance partner, Christi Jay, she contributed her artistic touch to "Between Beats," a project that beautifully reflects their shared passion for dance.

Maxi Glamour

Performer, Panelist

They/Them

I'm an interdisciplinary artist, event planner, and public speaker who utilizes elements of high fantasy and whimsical demonic imagery to explore the societal demonization of marginalized communities. My aim is to spark imaginative discussions that inspire meaningful discourse on the practical applications of justice.

Mark Hillard

Bop Instructor

Tyedric Hill

Instructor,

I've been dancing for as long as I can remember. In fact, my earliest classroom was my home, or wherever my family gathered. My earliest teacher was my mom. Over the years, I've established a background enriched and informed by many movement traditions, some of which include capoeira, waving, and stepping. I discovered vernacular jazz and Lindy Hop in 2017, and I haven't looked back since.

As a teacher, I love to share historical and cultural context, weaving this into how I explain my approach to movement. My highest goal is helping you to develop your own approach.

I'm currently studying house, and continually growing in many street styles. In dance, I value lineage, authenticity, community, partnership and fun. I strive to incorporate these elements in my classes as well. I’m eager to collaborate with everyone!

Sharon B Foehner

Musician, Panelist

Sharon started playing Bass violin in 1969. Played through out her high school years. Came to St Louis in 1987 and started hitting with James Crutchfield in 1989. Since then Bennie Smith , Johnny Johnson, Henry Townsend and Renee Smith. Today she plays in Duos and sings around St Louis.

Kendrick Smith

Musician, Panelist

Saxophonist, composer, and educator Kendrick Smith was born and raised in East St. Louis. His love and gift for music was realized as a child during his grade school years, where a whirlwind musical career would begin. Throughout his grade school years, he would come to attain several awards in recognition of his natural talent and musical aptitude, to include Most Outstanding Soloist in the Metro East Jazz Festival Competition. While in high school, he began studying under the late, great, and renown baritone saxophonist, Mr. Hamiett Bluiett. Bluiett played along such jazz prominence as Charles Mingus and was one of the founding members of the World Saxophone Quartet. Kendrick was very fortunate as to play weekly at one of St. Louis’ prominent jazz restaurants at the time, Spruill’s, with jazz giant Willie Akins, also gracing the stage with the late blues vocalist Mae Wheeler. Kendrick attended Southern Illinois University-Edwardsville (SIUE) on scholarship, where he began studying Jazz Performance under soulful pianist and educator Reggie Thomas. While sharpening his skills in college he began teaching clarinet and saxophone at Swing City Music Store in 2010. Over the years he has taught students of all ages and all levels of skill. In later years, he began adding flute, oboe, and bassoon to his repertoire. He has also been teaching lessons at the Missouri School of the Blind since 2017.

Kendrick has played as a solo act, and with his group, the Kendrick Smith Trio, all over the St. Louis Metropolitan Area. His first residency was at the Premier Lounge in St. Louis, where he played a weekly jazz matinee. As indication of his growing notoriety, he was featured and compared to jazz giant Charlie Parker in local newspaper, The St. Louis American, in an entitled, “Baby Bird Stretches Jazz Wings”. Other stages and venues he has graced include: The Fat Cat, and Smalls, both of New York City, Jazz at the Bistro (where Kenny Garrett, Chick Corea, Robert Glasper, Joe Lovano, Sean Jones and several other jazz all-stars have graced the stage) , Sheldon Concert Hall, and Blueberry Hill. Kendrick has a residency at thriving jazz venue, Thurman’s Bar and Grill. He hits the stage every Friday night with his trio, providing what the owner always refers to as “face melting jazz and improvisation.” His leadership and performance at this venue landed him a very special feature in the NY Times, where writer proclaimed, “Kendrick Smith was playing the alto saxophone like his life depended on it!”

Kendrick is looking forward to some very promising prospects: the debut of first album (released Spring 2019) and the feature of his original classical catalog, to be played by the University City Symphony Orchestra. All indicative of his creative and exploratory composing skills. Kendrick has also been selected to compose trailer music for an upcoming independent Hollywood film, He has played along some influential musicians/artists to include: Kirk Whalum, Greg Osby, Russell Gun, Emanuel Harold, The Temptations, and playwright and poet Ntozake Shange . Most recently, he did an east coast (New Jersey, New York, and Baltmore) tour with a tribute band dedicated to Hamiet Bluiett, led by Ronnie Barrage. Where he was interviewed by NY jazz critic John Pietro and made his “ Best musicians of 2019” column which included Dave Liebman the (late) Wallace Roney.

In 2021 he started a instrumental reed and mouthpiece company named Truly Reeds, the reeds are currently available in every major music store in the St. Louis Metropolitan area. Kendrick has been called one of the emerging pillars of the St. Louis music scene and looks forward to fulfilling that prophecy. In 2022 he became the director of “Build A Yes” a Jazz music society based in St. Louis. In his own words, his vision is to “Strive for excellence, show forth professionalism on and off the bandstand, to touch people, and to keep jazz music alive and moving forward.”

Natalia Eristavi

Instructor

She/Her

My name is Natalia (she/her) and I am a jazz dancer, teacher and performer based in St. Louis, Missouri. I have been dancing most of my life but discovered Swing dance in Southern California in 2010 when I was 17 years old. What I love most about this dance is Jazz Music and the freedom to improvise through movement, whether solo or with a partner. Being a guest in this space and creating together with others, whether in a class, social dance or jam setting is a beautiful and vulnerable experience that I feel privileged to be a part of.

HEAL Center for the Arts’ North County Big Band

Sunday Night Party

The inspiration for HEAL comes from the founder's experience growing up in Miami, FL, where he discovered the power of the arts to nurture his aspirations for the future. The African Heritage Cultural Arts Center was where Harvey Lockhart first discovered his love for the arts through the instruction and mentoring he received in music, art, theater, dance, and photography. As band director at Riverview Gardens High School and Performing Arts Coordinator of Secondary Education for the district, Harvey realized the lack of professional arts training and opportunities for his students and many other young people living in low-income areas of St.Louis, MO. Recognizing the opportunity to reach more students by tapping into the fertile arts community in St. Louis, and by creating an arts center that is open to children of all ages, HEAL was created.

​HEAL Center for the Arts was awarded 501(c)(3) status in December of 2016. Located in Grand Center with incubator support from the Kranzberg Arts Foundation, HEAL will operate in partnership with local school districts to provide a safe and supportive space where students of urban communities have access to high quality mentoring, tutoring, and arts education.

Sweetie & The Toothaches

Friday Night Party

Get ready for a total knockout as St. Louis heavy hitters Sweetie & The Toothaches give you ring side seats to the best Jump Blues in the midwest! Specializing in 1940’s through 1960’s R&B, jump blues and blues ballads, St. Louis’ premier jump blues band, Sweetie & The Toothaches will have you stomping your feet and shaking your hips when you hear powerhouse vocalist and band leader Emilie “Sweetie” Richard belt out tunes such as “Farewell Blues” and “Just A Gigolo” alongside her phenomenal Toothaches. Be prepared to sink your teeth into this hot jump blues bands personal brand of fresh smoked rhythms, sweet & salty harmonies and lip sizzling solos. There’s no doubt that after you hear this bands monster swinging energy that you’ll be left with a permanent sweet tooth!